Eurosport Reveals Olympics Logo Design

Eurosport has unveiled its on-screen logo for the Olympic Winter Games PyeongChang 2018. The broadcast of the winter games will mark the network’s first as the official broadcaster for the Olympic games in both the United Kingdom and mainland Europe. The logo design brings together the current Eurosport wordmark with the PyeongChang logo typeface, underpinned […]
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Corporate Design for Social Advertising Agency, ‘Healing Brush’

Healing Brush is a social advertising organisation based in Bundang in South Korea that addresses various global issues through campaigns to support low-income groups in society. The organisation’s motto (“Opening the closed and wounded heart”), was visualised through the logotype that features “h+b” in high contrast against a solid-coloured background. Also, the various dingbat fonts […]
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Identity Design for Korea’s National Art Museum

The corporate identity for South Korea’s National Museum of Modern and Contemporary Art aims to simplify communication. To achieve this, the full name was abbreviated with the majuscules “MMCA”. A wide colour spectrum in combination with an adaptable image language allows it to ’emotionally’ appeal to the target group. In visual aspects, the logo tries […]
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Identity for UX Design Consultancy, ‘Designlimit’

South Korean agency Designlimit specialises in UX design. Its new corporate identity focuses on experiences relating to e-business, interactive motion and user experience. The company name points to the fact that design always has some limitations, which can only be overcome by contemplating different ideas. The seemingly unfinished logo represents the agency’s slogan “We put […]
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Branding Design for ‘sTREEt Campaign’

Due to commercialisation and public negligence, the trees in Gangnam city (South Korea) are struggling to survive and are slowly disappearing. The brand “sTREEt” was created to draw attention to the disappearance of the trees in the streets. The rectangular shaped logo was designed with a frame in mind, inducing the audience to actually look […]
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