The Villino Odaldo was originally built as a summer residence for wealthy landowner Giuseppe D’Onghia back in 1929. Situated in Mottola, a town and commune in the province of Taranto, in the Puglia region of southeast Italy, the descendants of D’Onghia’s family have recently restored and transformed the building into a guest house aimed at […]
[READ MORE]
Pearlfisher New York has created the new brand architecture, identity, and packaging design for organic yogurt maker Stonyfield. Pearlfisher’s challenge was to help unify the growing portfolio of baby and kids yogurts, traditional and Greek yogurts, frozen yogurts, milk and cream; and to convey Stonyfield’s distinct organic proposition. Stonyfield’s packaging appeared as a house of […]
[READ MORE]
English couture house Hardy Amies was founded by the late Sir Hardy Amies (d. 2003) just after the Second World War. As well as being Queen Elizabeth II’s official dressmaker for 50 years, Hardy Amies’ creations also included costume designs for the 1966 England World Cup team and the 1968 Stanley Kubrick film 2001: A Space […]
[READ MORE]
Ágnes Kovács (in Hungarian Kovács Ágnes) is a young, up-and-coming fashion designer from Hungary. Specialising in the design of leather bags and accessories, Ágnes was chosen as the winner in the Newcomer accessories category at this year’s Central European Fashion Days event, which formed part of the ”Gombold újra! Central Europe” fashion competition. Ágnes’ prize included […]
[READ MORE]
A graduate in Visual Communication from Australia’s Ballarat University, graphic designer Ross Dickson currently works for surfing sportswear brand Rip Curl. However, before taking on his current role, Ross previously plied his trade for global sports fashion brand Puma, designing graphics for apparel across both men’s and women’s products. For the most part Ross was […]
[READ MORE]
The corporate identity for South Korea’s National Museum of Modern and Contemporary Art aims to simplify communication. To achieve this, the full name was abbreviated with the majuscules “MMCA”. A wide colour spectrum in combination with an adaptable image language allows it to ‘emotionally’ appeal to the target group. In visual aspects, the logo tries […]
[READ MORE]
The general theme of the 4th national design biennial in Brazil was “Brazilian Diversity”. In order to represent this, the visual identity takes its starting point for inspiration from the multiple diversities characterising Brazil, exemplified by its natural resources, its plurality as well as the many different industrial and handcrafted products. A variable identity for […]
[READ MORE]
This packaging design was developed for the market launch of helea premium olive oil. The philosophy of the design focuses on the benefits of olive oil and the lifestyle of the people who buy it, rather than on the product itself. The logo was inspired by two drops of olive oil, overlapping to form a […]
[READ MORE]
